Review:
The pinnacle of high-concept, hard sci-fi, space opera cyberpunk, seemingly packed with every single concept the author could find, and he's a very smart guy: physicist, mathematician, cosmologist, recently launched a synthetic DNA start-up (via his TEDx talk). Finnish, but writing while in Edinburgh, literally hanging out with Charlie Stross, it's no coincidence that he's taken up the baton of writing the most futurism-idea dense, fast-paced (show don't tell) space-romp fun. Think "Accelerando" with the breakneck pace of "Singularity Sky". Stross surpassed I.M.Banks for this crown (in my mind), with stories that made traditional (mainstream) spaceship fiction look like quaint period dramas, pootling about in sail ships.
Mind uploads, planet scale computronium and all types of Singularity as obvious givens for Hannu Rajaniemi. He imagines the consequences of massively duplicated and branched individuals, in a complex future where identity and memory are slippery constructs and inequality has been inflated to vertiginous levels. It is cyberpunk, spun out, with contemporary nationality wiped away by subcultural identities flung across the entire solar system.
References are littered everywhere, at every scale of the telling, from throw-away pop-culture name drops (of famous games, anime series, etc), to terms for Ukrainian governance sub-divisions, to politics, philosophy and the (centuries old) historical origins of transhumanism. The books are so thick with meaning that they're far bigger than themselves; overloaded; virtually all the names and terminology (while sounding awesomely fitting, also) link the reader out to explore countless Wikipedia articles and culture.
Each of the three books has it's own distinct flavour, thematic reflections: personal, social (structure), philosophical and particular literary influences. Each also converges on a different planet, so their sub-arks cohere well as separate books. But they undeniably form a very carefully pre-planned and crafted whole. Densely plotted, too: subtle elements of the very first chapter of the first book become key through to the last. So, although Rajaniemi weaves in little reminder snippets here and there, it's highly advisory to read these books consecutively, and even then it may be worth checking out glossaries and/or synopsis in between.
If you are reading my blog, then you may well be within the core audience for this story, too. It fits perfectly with everything I've aimed to write about here myself. Other reviewers have complained of these books flying over their heads. Certainly I've been compelled to re-read sections, research meaning, etc, and am still not certain of precisely what happens in the conclusion. It is, however, definitely wrapped up properly. And I've had a virtually parallel (although even less than mediocre) academic path through physics and computer science, with strikingly overlapping cultural influences to the author (being, myself, only a little younger).
So perched atop the shoulders of high-concept sci-fi past, I'd definitely not recommend this series to the genre naive! Something to build up to, even more so than advice for readers to get a feel for Culture novels before embarking upon "Excession" or "Use of Weapons". Even then, you'll probably have to just roll with punches and maybe go back to pick out more of the details later. But worth the effort and it works on multiple levels anyway!
[1] Quantum Thief (332 pages):
The first and best of the three. There is just no way that the others could ever have competed with the addictive rush from the tidal wall of novelty this installment hits you with! Also, with so much still a mystery, the fictional solar system feels bigger and far more real; a story in a crazy place, rather than about the place itself (which is more the case as the books progress).
The main setting here is also the most compelling in its familiarity, being structured around extreme technologically enabled privacy, with surveillance and control through information, all pressing issues (much like our present). The morally ambiguous gentleman thief character archetype drops perfectly into this setting, initiating the serie's liet motif of examining imprisonment, imposed control, security, enforced uniqueness, versus theft, liberation, diversity, etc.
[2] Fractal Prince (331 pages):
Feels the most out of place with the city of "Sirr"; it's characters didn't quite fit for me, or at least they are less knotted up with the plot than most of the others (arbitrary and single use by comparison). Twaddud felt stilted. Also, my disbelief was stretched thinnest here, with a core plot mechanism that could be a satire of Hofstadter's "Strange Loop" concept.
It's probably the easiest book to get lost in, which is saying something, since there are glimpses of deeper meaning secreted in plain sight throughout the trilogy, like fractal detail to gaze upon during re-reading. But this novel's "Arabian Nights", story(s) within story(s), "Inception" like structure doesn't help, and the intermingled interludes and flashbacks gain more concrete context from reading the next installment.
[3] Causal Angel (303 pages):
Neatly ties together all the pieces, places and people previous covered. Yet it is slightly shorter than the previous two books and feels shorter still. The plot is more linear, like it is following the ballistic trajectory that was set in motion.
Perhaps it could have dwelt a little longer on certain places and people; maybe some of the developments risked feeling a little too emotionally gymnastic, or unremarked upon. Although the core characters were developed across the entire length of the ark.
Discussion (SPOILERS Ahead!):
